Ukraine
Russia’s New Weapon
Using the popular communication channel Telegram, Russia is duping Ukrainian children and vulnerable adults into carrying out horrific attacks across the country, many of them also killing the unsuspecting perpetrators. Similar tactics are being wielded by Putin across Europe to undercut support for Ukraine and its backers.
After War, What Does Justice Look Like?
Janine di Giovanni, executive director of The Reckoning Project, joins New Lines’ Faisal Al Yafai on the podcast after returning from a trip to Syria, as does New Lines’ Middle East Editor Kareem Shaheen.
Can Europe Back Ukraine’s Fight Alone?
For Europeans watching, one thing is clear: Washington now regards Kyiv as an adversary from which concessions must be wrung and terms of conditional surrender imposed, while it sees Moscow as an ally-in-the-making and the more justifiably aggrieved party in the war of conquest Moscow started three years ago.
Ukraine’s Dilemma
Mykhaylo Shtekel and Amie Ferris-Rotman join Kwangu Liwewe on Global Insights to discuss how American President Donald Trump’s upending of established alliances has presented Ukraine with a dilemma.
Two and a Half Years Later, a Disabled Ukrainian Boy Returns Home
Just over a month after New Lines and The Reckoning Project published an investigation into Moscow’s targeting and deporting of disabled children from Ukraine, a teenage boy was found and returned to his family.
In a Propaganda Move, Russia Targeted and Deported Disabled Children From Ukraine
Over one year, reporters have tracked what happened to the forcibly deported, disabled residents of the Oleshky boarding school. We have followed the desperate attempts to bring them home and identified which Russian officials are responsible for abusing their rights.
Survival and Statehood in Ukraine — with Yaroslav Trofimov
Faisal Al Yafai is joined by The Wall Street Journal’s chief foreign affairs correspondent, Yaroslav Trofimov, for a discussion about modern Ukraine and Trofimov’s new novel, “No Country for Love,” set in the country’s turbulent early 20th century.