It creates a kind of societal schizophrenia in which people are publicly outraged over artists’ failure to adhere to the moral imperatives of their faith and cultural values but Muslim countries lead the world in Google searches for porn.
The Netflix series “Grace and Frankie” portrays two women who suddenly find themselves divorced in their 70s. Instead of remarrying, they enjoy the single life, something more and more boomer women do as they acknowledge the high costs of marriage.
“The Club” also offers a biting social critique. For the show is less about the arrival of cocktail modernity to Istanbul than about the Turkification of cocktail modernity, i.e., a pincer movement by Kemalist state and society to substitute good secular Muslim Turks for Istanbul’s Greeks, Jews and Armenians.
The smash Netflix series “Squid Game” shows the material hardship of those trampled by the free market system, but more than that, it shows what that system does for compassion: If your goal is to win, you must become heartless.
Ultimately, all the devil and his top demon want is to make a meaningful human connection. They feel tormented at the possibility that they may be incapable of such a thing after having spent eons in hell. And who could blame them?
It took five hours to watch the 101-minute Netflix film on Mosul and process the emotions that resulted from the realistic portrayal of brutal warfare in my hometown.