Art
Healing Syria’s Children
Former CNN correspondent Arwa Damon writes about returning to Syria and working with the country’s traumatized children.
Kampala’s Cultural Renaissance
Culture has made a comeback in Uganda’s capital since the COVID-19 pandemic, and its music, dance and theater are drawing attention from around the world. The revival mirrors Kampala’s role as a cultural hub in the 1960s, yet today’s artists, like their precursors, still struggle for state recognition.
In Egypt, Foreigners Dominate Belly Dancing
Foreign belly dancers, who hail from Eastern Europe, Latin America and the United States, were brought in to fill the space left by Egyptian dancers and now uphold what is viewed as a quintessential Egyptian art.
Kazakhstan’s Bloody January
In times of upheaval, art can serve the dual function of documenting events and shaping social values. With its authoritarian targeting of communications networks, Kazakhstan’s government tried to block both processes. It failed.
Shooting the War in Syria
Although the aftermath of the war in Syria continues, artworks that repurpose photographs of the war may contribute to a renewed narrative. Art makes the viewer reflect on time and all the opportunities lost. Eventually, perhaps, the art helps us make sense of the war.
Syria’s House of Poetry
Roula Roukbi is among the few Damascus socialites who created an alternative space for art, culture, and some politics in the city. She excelled at living as if Syria was a free country, and in many respects, her hotel came to embody a microcosm of what freedom might one day look like.
‘Shut Up and Play Your Guitar’
Alex Skolnick is a virtuoso musician best known as the lead guitarist for thrash legends Testament and his own jazz trio. When he started weighing in on politics, he was told to “shut up and play your guitar.” In an essay for Newlines, he writes about the responsibility of artists in a time of political turmoil.