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Public Mistrust of Gaza Coverage Is Opening Space for Russia-Linked Media on the Left

Russia’s Left-Wing Shills

A federal indictment recently revealed Russia’s efforts to buy influence on the American right. But Moscow’s links to far-left media like Grayzone run deeper, and a trust deficit created by woeful coverage of Gaza is expanding such outlets’ reach.

The Price of Investigative Journalism — with Paul Caruana Galizia

The Price of Investigative Journalism — with Paul Caruana Galizia

New Lines’ Faisal Al Yafai sits down with journalist Paul Caruana Galizia, whose mother was murdered as a result of her reporting, to discuss the importance of investigative journalism and the terrible price it can exact.

Hard News: The Struggle to Report on Myanmar and Belarus From Exile

Hard News: The Struggle to Report on Myanmar and Belarus From Exile

The situations in Belarus and Myanmar are very different, but what they have in common are attacks on human rights and democracy. In both countries, assaults against freedom of the press have driven most independent journalists into exile.

The Film ‘Network’ Darkly Predicted Our Paranoid Politics

The Film ‘Network’ Darkly Predicted Our Paranoid Politics

In the 1976 film “Network,” a struggling TV company exploits the paranoia of one of its anchors to create a hit show, thus manipulating the American public in the tumult of the 1970s and foreshadowing our own polarized era.

Podcast: Why I Stopped Writing About Syria

Podcast: Why I Stopped Writing About Syria

Syrian journalist Asser Khattab’s viral essay in New Lines last week explained why he stopped writing about Syria, sparking a much-needed conversation online about how foreign media outlets treat local reporters. In this latest podcast, he and New Lines’ Kareem Shaheen continue that vital conversation.

Netflix’s ‘Grace and Frankie’ Reveals a Trend: Women Rejecting Marriage in Golden Years

Netflix’s ‘Grace and Frankie’ Reveals a Trend: Women Rejecting Marriage in Golden Years

The Netflix series “Grace and Frankie” portrays two women who suddenly find themselves divorced in their 70s. Instead of remarrying, they enjoy the single life, something more and more boomer women do as they acknowledge the high costs of marriage.

Why I Stopped Writing About Syria

Why I Stopped Writing About Syria

Of course, I was not going to get a staff job, I was not going to be called “correspondent,” and I was not going to be relocated anywhere. Quite the contrary, when I had to flee Syria with only a few hundred dollars in my pocket, I was immediately let go from a job I risked my life daily by doing in secret. A few years later, I lost another job because I had to move to another country once again for security reasons.